Archives for category: Design

Dieter rams 1
Rams studied architecture at the Werkkunstschule Wiesbaden as well as learning carpentry from 1943 to 1957. After working for the architect Otto Apel between 1953 and 1955 he joined the electronic devices manufacturer Braun where he became chief of design in 1961, a position he kept until 1995.
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Rams once explained his design approach in the phrase “Weniger, aber besser” which translates as “Less, but better”.

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Rams’ ten principles of “good design”
Good design:
Is innovative – The possibilities for innovation are not, by any means, exhausted. Technological development is always offering new opportunities for innovative design. But innovative design always develops in tandem with innovative technology, and can never be an end in itself.
Makes a product useful – A product is bought to be used. It has to satisfy certain criteria, not only functional, but also psychological and aesthetic. Good design emphasizes the usefulness of a product whilst disregarding anything that could possibly detract from it.
Is aesthetic – The aesthetic quality of a product is integral to its usefulness because products are used every day and have an effect on people and their well-being. Only well-executed objects can be beautiful.
Makes a product understandable – It clarifies the product’s structure. Better still, it can make the product clearly express its function by making use of the user’s intuition. At best, it is self-explanatory.
Is unobtrusive – Products fulfilling a purpose are like tools. They are neither decorative objects nor works of art. Their design should therefore be both neutral and restrained, to leave room for the user’s self-expression.
Is honest – It does not make a product more innovative, powerful or valuable than it really is. It does not attempt to manipulate the consumer with promises that cannot be kept.
Is long-lasting – It avoids being fashionable and therefore never appears antiquated. Unlike fashionable design, it lasts many years – even in today’s throwaway society.
Is thorough down to the last detail – Nothing must be arbitrary or left to chance. Care and accuracy in the design process show respect towards the consumer.
Is environmentally friendly – Design makes an important contribution to the preservation of the environment. It conserves resources and minimizes physical and visual pollution throughout the lifecycle of the product.
Is as little design as possibleLess, but better – because it concentrates on the essential aspects, and the products are not burdened with non-essentials. Back to purity, back to simplicity.
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The keyboard of isolation ddbchina 001The keyboard of isolation ddbchina 002The keyboard of isolation ddbchina 003The keyboard of isolation ddbchina 004

Client: Family care for grass roots community
Creative director: Jody Xiong
Copywriter: Jody Xiong, Leo Liu
Art director: Jody Xiong, Willian Zhang, Jack Xuan
Designer: Jody Xiong
Photographer: Nicolas Siau
Illustrator: Jody Xiong
Typographer: Jody Xiong
Photographer: King Zhang, Alex Chen

Ulm graphics
The Ulm School of Design (Hochschule für Gestaltung) was a college of design based in Ulm, Germany.
Founded in 1953 by Inge Aicher-Scholl, Otl Aicher and Max Bill, the latter being first Rector of the school and a former student at the Bauhaus. The HfG quickly gained international recognition and is now viewed as being second only to the Bauhaus as the most influential school of design. During its operation from 1953–1968, new approaches to the design process were implemented within the departments of Product Design, Visual Communication, Industrialized Building, Information and Filmmaking.
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The HfG building was designed by Max Bill and remains intact today as a historically important and functional building under the auspices of Foundation Ulm. The HfG was one of the most progressive educational institutions of design in the decades of the 50s and 60s and a pioneer in the study of semiotics.
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“The design process had to be more than strictly a ‘method of analysis’. It must be a balancing of both art and science.”
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Sources:
http://www.facebook.com/pages/Ulm-School-of-Design/104122249625743
http://en.wikipedia.org/wiki/Ulm_School_of_Design
http://www.hfg-archiv.ulm.de/english/the_hfg_ulm/
http://www.ifa.de/en/exhibitions/exhibitions-abroad/design/ulmermodelle/school-of-design/

Interior design by nuca studio bucharest, romania
Interior design by nuca studio bucharest, romania
Interior design by nuca studio bucharest, romaniaInterior design by nuca studio bucharest, romania
Interior design by nuca studio bucharest, romania
Interior design by nuca studio bucharest, romania

Somewhere in the North of Bucharest you can find this lovely place (Playground & Restaurant) designed by Nuca Studio, a design and architecture studio founded by Robert Marin.

I would like to think there will be other similar projects in Romania because (at least from my point of view) that’s what I call a way of normality.

Gunter Rambow - most prolific graphic designer of the 20th centuryGunter Rambow - most prolific graphic designer of the 20th centuryGunter Rambow - most prolific graphic designer of the 20th centuryGunter Rambow - most prolific graphic designer of the 20th centuryGunter Rambow - most prolific graphic designer of the 20th centuryGunter Rambow - most prolific graphic designer of the 20th centuryGunter Rambow - most prolific graphic designer of the 20th centuryGunter Rambow - most prolific graphic designer of the 20th century
Well, this man is one of my favorite. His name is Gunter Rambow, a German-born designer and educator born in Neustrelitz 2nd March 1938. He is by far one of the most prolific designers of the 20th century. You can find more info about him and his valuable work here.

Dokweb-The Institute of Documentary FilmDokweb-The Institute of Documentary FilmDokweb-The Institute of Documentary FilmDokweb-The Institute of Documentary FilmDokweb-The Institute of Documentary Film
Founded in 2001, the INSTITUTE OF DOCUMENTARY FILM (IDF) is a non-profit training and networking centre based in Prague, Czech Republic, focused on the support of East European creative documentary film and its wider promotion.

80000 condoms centre pompidou 00180000condoms centre pompidou 00280000condoms centre pompidou 00380000condoms centre pompidou 004 The Irish artist Bryan McCormack gives his own view of the condom by using it as the main element of his ephemeral work, presented at the Centre Pompidou in Paris in the famous track that leads upstairs. The Centre Pompidou _research against AIDS.